Monday, September 29, 2014

EULA (Post-Punk) Plays Glasslands Gallery Tomorrow Night Along with Members of Deerhoof, Speedy Ortiz and Titus Andronicus (Castle of Spices)



EULA Plays Glasslands Gallery Tomorrow Night Along with Members of Deerhoof, Speedy Ortiz and Titus Andronicus (Castle of Spices)
Alyse Lamb, singer/guitarist from the post-punk trio EULA, is curating the "Castle of Spices" event tomorrow night at Glasslands Gallery. It is an evening filled w/ collaboration & experimentation with artists from all different mediums (music, dance, poetry, photography). Performances will be from Greg Saunier of Deerhoof, Sadie of Speedy Ortiz, Adam Schatz of Man Man, EULA....and many more.

This show is being presented by Famous Swords, which is an artist collective run by Lamb. In a recent Village Voice article, Lamb describes the collective as: "a huge production collective...we want to do music videos, recordings, t-shirts, kind of an all-encompassing art collective, that's kind of our vision behind it." EULA's latest video "Orderly" was produced by the collective and Lamb said "[w]e wanted to use sort of trippy psychedelic images that had a very feminine edge to them, but also [have it be] very sharp and angular to go with the sounds of the song."



Tickets for tomorrow night's show are $10 and doors are at 8PM.

Links:
EULA

Sunday, September 28, 2014

'Alone in North America' (featuring The Morning After Girls) Premiers at the CBGB's Music and Film Festival on Oct. 9th

'Alone in America' (featuring The Morning After Girls) Premiers at the CBGB's Music and Film Festival on Oct. 9th
to trust someone is to allow them to be everything they are

Hypnagogia Films has announced the world premiere of "alone in north america" during the forthcoming CBGB’s Music and Film Festival. The documentary is a collaborative effort between award-winning Director, David Hilbert (Ikland) and neo-psychedelic outfit, the morning after girls. Part narrative, part existential road picture, the film follows the U.S. tour of the band in support of their 2011 LP (which is titled Alone).

In the words of Hypnagogia Films: the morning after girls survived break-ups, break-downs, departures, arrivals and deportations. When the smoke cleared, they toured North America - playing music to gather people together. The ensuing miles would be their greatest test. As individuals and as a band, they found themselves on the wrong side of the law, the wrong side of the clock, and the wrong side of the wheel..

In addition to live performance footage taken across the country, the documentary features a previously unreleased song entitled “Corruption.” The official premiere of Alone will commence on Oct 9th at the Anthology Film Archives and advance tickets are $10. Tickets can be purchased here: http://www.cbgbfest.com/aloneinnorthamerica



About the band: the morning after girls was formed in Melbourne, Australia by Sacha Lucashenko (vocals and guitar) and Martin B. Sleeman (vocals and guitar). In 2008, the band relocated to New York City and added Americans Alexander White (keyboards, percussion, backing vocals), EJ Hagen (bass guitar), and Anthony Johnson (drums). As a band, the morning after girls have played shows worldwide with such notables as Black Rebel Motorcycle Club, Mercury Rev, and many others.

Upon its release in 2011, Alone, the bands second full-length album received album of the year honors from such press outlets as the San Francisco Chronicle, The Big Takeover, Detroit Metro Times and Popshifter Magazine.

About the filmmaker: David Hilbert is a New York based writer and filmmaker. He is the director and editor of the award-winning film Ikland, which documents the rediscovery of the lost Ik tribe, who were famously disparaged as the worst people in the world. The film was honored as the Best Documentary of the Boston International Film Festival and has been critically praised by The New York Times, Variety and Indiewire. He has lectured at Harvard University and been a guest on WNYC's Leonard Lopate Show.

Links:
Alone Films
the morning after girls

Three Lions (AOR Power Trio) - 'Three Lions' CD Review (Frontiers Records)

Three Lions (AOR Power Trio) - 'Three Lions' CD Review (Frontiers Records)
Three Lions self-titled debut disc came out earlier this year and this disc is a well-crafted throwback to the sound of 80’s melodic AOR rock. Three Lions is composed of Dare/Ten alumni Vinny Burns (guitar) and Greg Morgan (drums) along with Nigel Bailey (vocals/bass). The band was formed when Vinny, Greg and Nigel were introduced by Frontiers Records President Serafino Perugino to producer Alessandro Del Vecchio at Firefest in October 2012. The guys hit it off straight away and immediately set about writing new material for an album. The songs were written without an agenda and these songs were sent to Perugino for consideration, who loved the material and immediately commissioned an album.

This album has huge melodic hooks, choruses that invite singing along and many of these songs would have been a staple of FM radio if released thirty years prior. “We set out to write good songs, the only criteria was that all of us liked them” said Nigel Bailey. While the band sounds really tight, the focal point of most of the songs are Vinny Burns’ stellar guitar work and Nigel Bailey’s ‘Lou Graham meets John Wetton’ vocals. Musically, most of the songs are in the vein of Asia, early Foreigner and the Brian Howe-fronted lineup of Bad Company along with hints of Bryan Adams and Whitesnake around the edges. With an album full of anthemic rock, as one would expect, a number of songs are about girls.



The disc starts out with “Trouble in a Red Dress” (the first single from the disc) which is a melodic AOR rocker with solid guitar work and a bit grittier sound that brings the 80’s AOR sound into the present. This is followed by “Hold Me Now”, which is a Bryan Adams style guitar-driven tale about girls and summer. “Twisted Soul” starts with a slower intro before the driving atmospheric rock kicks in. The song sounds like a Foreigner number with a bit more punch in the guitar. “Winter Sun” is an old-school rock ballad which is powered by a big guitar sounds and upfront melodic vocals. Picking up the pace with “Just a Man” and “Holy Water”, either of these numbers could easily become the second single from the disc. Both of these numbers are mid-tempo rockers with the hooks that stick with you long after the song has ended.

One of the most diverse numbers on the disc is the eastern-influence “Kathmandu”. The band seems to take a page from 90’s metal with some slashing guitar lines while never losing its sense of melody. The other number that shows the band willing to take some risks is “Sicilian Kiss”, the final track on the disc, which is a moody, guitar-driven instrumental with strong leads and a slight hint of flamingo on the outro.

Links:
Three Lions

Thursday, September 25, 2014

Wes Anderson : American Laundromat Records Announce Vinyl Release of 'I Saved Latin! A Tribute to Wes Anderson'



Wes Anderson : American Laundromat Records Announce Vinyl Release of 'I Saved Latin! A Tribute to Wes Anderson'
American Laundromat Records is proud to announce their popular Wes Anderson tribute I Saved Latin! A Tribute To Wes Anderson is getting the vinyl treatment. The 24-song, double-LP is scheduled for release on March 10, 2015 and includes all 23 songs from the original CD plus an exclusive new track recorded and mixed over the summer by French chanteuse Marianne Dissard who tackled Francoise Hardy’s classic “Le Temps de L’Amour” used by Anderson in Moonrise Kingdom. In addition to the exclusive bonus track, the LP features brand new cover art by critically-acclaimed illustrator Lonny Unitus who once again handled all art direction.

American Laundromat Records has committed to pressing the 2xLP on 180 Gram Black Vinyl in a Dual Gatefold Jacket. The release is limited to 1,000 copies worldwide and available for $26.00 + shipping exclusively from the label’s website.

TRACKLIST

LP1 - Side One
1. Margaret Yang's Theme - Someone Still Loves You Boris Yeltsin
2. A Quick One While He’s Away - Saint Motel
3. These Days - Matt Pond (feat. Laura Stevenson & Chris Hansen)
4. Let Her Dance - Freelance Whales
5. I Am Waiting - Tomo Nakayama (feat. Jesse Sykes)
6. The Wind - William Fitzsimmons
7. Needle In The Hay - Juliana Hatfield

LP1 - Side Two
1. Making Time - Generationals
2. The Way I Feel Inside - PHOX
3. This Time Tomorrow - Telekinesis
4. Strangers - Escondido
5. Alone Again Or - Sara Lov
6. Nothing In This World Can Stop Me Worrin' Bout That Girl - Solvents

LP2 - Side One
1. Le Temps De L’Amour - Marianne Dissard
2. Here Comes My Baby - Tea Cozies
3. Fly - Kristin Hersh
4. Ziggy Stardust - Margot & the Nuclear So and So's
5. Play with Fire - Elk City
6. Stephanie Says - Tele Novella

LP2 - Side Two
1. Oh Yoko - The Ghost In You
2. Fairest Of The Seasons - Trespassers William
3. 30 Century Man – Tomten
4. Street Fighting Man - Mike Watt & The Secondmen
5. Five Years – Santah

Links:
A Beginner's Guide to Wes Anderson Movies
American Laundromat Records

Wednesday, September 24, 2014

Whitechapel (Deathcore) Plays Gramercy Theatre on Nov. 10th / 'Endless War' CD Review (Metal Blade)



Whitechapel (Deathcore) Plays Gramercy Theatre on Nov. 10th / 'Endless War' CD Review (Metal Blade)
Whitechapel’s fifth disc came out this past April and Our Endless War (Metal Blade) is a solid slab of hard-hitting deathcore. The music is brutal, the lyrics are nihilistic yet the music is surprisingly accessible which is evidenced by this new disc cracking the US Billboard Top 10 chart. The band is bringing their sonic attack to NYC for a show at Gramercy Theatre on Nov. 10th along with supporting acts Upon a Burning Body and Glass Cloud. This show is general admission and tickets are $20 (+$9 ‘convenience fee’).

The disc starts out with the instrumental “Rise” which is comprised of a marching beat and bending middle-eastern sounding guitar line that progressively build and serves as the lead-in to the galloping title track, “Our Endless War”. “Our Endless War” explodes out of the gate with driving drums and a slashing guitar attack while vocalist Phil Bozeman takes the listener into the abyss with the roar “let’s go”. It is noticeable right away that the disc’s clean production, hints of the Scandinavian sound and Bozeman’s understandable vocal growl means that this is not your run-of-the-mill deathcore album. The lyrics for “Our Endless War” also sets the tone for the disc as Bozeman growls out an anthemic call to arms: “My country tis of greed, sweet land of idiocracy…While we still have liberty, let’s take back our justice for all.

Whitechapel mixes up levels of intensity across the disc all the while staying close to their deathcore roots. “The Saw is the Law” (the first single from the new disc) has a big bottom end and locks into a sludgy bass groove while Bozeman’s vocals range from a death shriek to a glass-gargling growl.



“Mono” is solid, blast-beat driven pit fodder where bending and twisting guitar lines add atmosphere and mood to change up the tempos. “Let It Burn” is more of a hardcore number with a tribal beat and a menacing bass line that will get the boots stomping. “Worship the Digital Age” is another brutal number with a grinding groove that sounds like a decaying industrial machine grinding to a halt.

The band takes something of a breather on the tracks “How Times Have Changed” and “Psychopathy”. “How Times Have Changed” is the sort of grid metal tune reminds me of the type of music that one would hear at L’Amour in the early ’00s. “Psychopathy” is a slower stomper that has clean guitar and slows in the middle for an evil moody build. “Blacked Out” jumps right back into the death metal with the double-bass blast beats. Finally, “Diggs Road”, a tale about someone contemplating suicide, is one of the most diverse songs on the disc. This number starts with a moody, middle-eastern guitar intro that leads into a slow-burning stomper. The band changes up the tempos during different parts of this song and this number includes some very clean guitar solos. There are two bonus tracks on the disc, “A Process So Familiar” and “Fall of the Hypocrites” and both of these tracks are pummeling death metal that follow the sounds heard earlier on the disc.

Links:
Whitechapel

Thursday, September 18, 2014

Regulator (Cro-Mags + Bad Brains Members) to Play Benefit Concert (9/25) at Bowery Electric

Regulator (Cro-Mags + Bad Brains Members)  to Play Benefit Concert (9/25) at Bowery Electric
In late 2005, the Bad Brains played two sold-out shows at CBGBs with Cro-Mags' John Joseph on vocals and Mackie Jayson on drums and the band focused on songs from the Bad Brains' self-titled debut album and I Against I. (I can't remember the reason given for HR being in CA these nights). This lineup is back and is playing a benefit show on Thursday, Sept. 25th at Bowery Electric under the name Regulator.

A NYHC all-star event, Regulator includes John Joseph & Mackie of The Cro-Mags and performs all classic Bad Brains material.

Special guests to join Regulator during this performance will be none other than the Bad Brains own Darryl Jennifer & Dr. Know. All proceeds from the event will benefit The Children’s Tumor Foundation (which is also the charity John Joseph supports through competing in Ironman Triathlons). Also performing will be Wilding Incident (which features members of Crown Of Thornz, Maximum Penalty and The White Mandingos) and the recently re-united Subzero.


Tickets are $20 and you have to figure that this show will sell out.



Links:
Cro-Mags
Bad Brains

The Swan King (Chicago Post-Hardcore) - 'Last So Long' CD Review (War Crime Recordings)



The Swan King (Chicago Post-Hardcore) - 'Last So Long' CD Review (War Crime Recordings)
Chicago post-hardcore unit, The Swan King, featuring members of Pelican and Planes Mistaken For Stars, released their second LP, Last So Long (War Crime Recordings), this past June. Spawned in 2009 in the Windy City, The Swan King is made up of Pelican guitarist and former Duane Denison pupil, Dallas Thomas (guitar/vocals), bassist Jamie Drier (x-Planes Mistaken For Stars) and drummer Zafar Musharraf (x-Toro! Toro!). Over the years, The Swan King has shared the stage with the likes of Red Fang, Black Tusk, Indian and Whores.

This new eight-track/30 minute disc is a refreshing throwback to the post-hardcore sounds of the late 80’s/early 90’s and was recorded by uber-producer Sanford Parker (Buried at Sea and Minsk) at Steve Albini’s Electrical Audio. This three-piece band works up a big head of noise (think Helmet or any of the early AmRep bands) with chugging and distorted guitar riffs and a pounding rhythm section but the band keeps the music accessible with solid melodies.

This is a big-sounding “rawk” disc where the band consistently maintains head-banging, high energy across all of the tracks. The band doesn’t stray far from their post-hardcore ‘core’ but the guitar riffs and melodies twist and turn within each of the songs (occasionally straying into mathcore) which keeps the disc from ever getting stale. Dallas Thomas’ vocals are up-front in the mix and he sings with a gruff but melodic yell which becomes another weapon in the band’s sonic attack. Some of the standout cuts showcase the band’s diversity which range from the hardcore of “Explore the Void” to the mathcore of “Returning to Haunt” to the melodic punk of “Last So Long”.



Links:
The Swan King

Tuesday, September 16, 2014

X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)

X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14
(from X's online bio)
Q: When you look back at old photos, what do you think?

John: I don't
Billy: I was so thin!
DJ: We were so young
Exene:  I can't believe I thought I was so plain looking.  We were lucky to be around so many good photographers.

I caught the first two nights of X's four-night run at City Winery and, while the band sounded great the first night, it all came together on the second night. I don't know if I can attribute this increased energy to any one particular thing: Billy Zoom seemed to take more leads and his 'trademark' grin was more in evidence, DJ Bonebrake seemed to hit the drums a bit harder - ranging from tribal beats to jazzy fills - and John and Exene were all over the stage and seemed incredibly energized.

The crowd was having fun this night as this is the first time that I've seen City Winery staff try to get audience members who were trying to dance back in their seats. The band must having also been having fun as they played another 15 songs after wrapping up their Wild Gift set.

X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
The set list for the second night was:

Set 1
01 The Once Over Twice
02 We're Desperate
03 Adult Books
04 Universal Corner
05 I'm Coming Over
06 It's Who You Know
07 In this House that I call Home
08 Some Other Time
09 White Girl
10 Beyond and Back
11 Back 2 the Base
12 When Our Love Passed Out on the Couch
13 Year 1

Set 2
14 The Hungry Wolf
15 Breathless
16 Drunk in My Past
17 Dancing with Tears in my Eyes
18 I Must Not Think Bad Thoughts
19 We're Having Much More Fun
20 How (I Learned my Lesson)
21 Nausea
22 Johnny Hit and Run Pauline
23 Motel Room in My Bed
24 Soul Kitchen

Encore
25 The World's a Mess, It's in my Kiss
26 Blue Spark
27 Because I Do
28 Devil Doll

X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)

X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)
X (@XtheBand) - Live Photos from Second Night at City Winery, 8-22-14 ('Wild Gift' set)



I'm 'cheating' a bit as this video is from the fourth night (most the video posted to YouTube from the second night isn't that good quality) but this should give a good indication of what X's live set sounds like.

Links:
X (the band)

Simple Minds Release 'Blindfolded' from forthcoming 16th Album, Big Music (Out Nov. '14)

Simple Minds Release 'Blindfolded' from forthcoming 16th Album Big Music
"We have audiences within our audiences who only care about the greatest hits – but new material brings vitality to the set, and should stop you calcifying and being a museum piece." - Jim Kerr

Simple Minds just posted a studio version of "Blindfold", a new song that has been part of the band's live set since summer. This song will be on their 16th album, Big Music, which is due out in November. Big Music will be the band's first studio disc since 2009's Graffiti Soul and Kerr has said in recent interviews that band has been working on this album over the last few years, in between touring behind their greatest hits album Celebrate.





For anyone who wants more Simple Minds, in exchange for your email address (free membership), you can download the following tracks from Simple Minds' website:

Live at Werchter Festival on 8th of July 2006:
1. New Gold Dream
2. See the Lights
3. Stay Visible

Links:
Simple Minds

Sunday, September 14, 2014

Uriah Heep - 'Outsider' CD Review (Frontiers Records)



Uriah Heep - 'Outsider' CD Review (Frontiers Records)
Uriah Heep’s twenty-fourth disc, Outsider (Frontiers Records), picks up where 2011’s Into the Wild left off with 11 tracks of melodic hard rock that are sure to leave a memorable mark with fans of the classic rock genre. Now that I’ve heard my second Uriah Heep album, I really don’t understand why the band isn’t big in the States. In a different era, Outsider is the sort of arena rock that one would hear in coliseums (as opposed to B.B. King’s) but, unfortunately, there doesn’t appear to be an active concert circuit in the States for hard rock bands outside of those acts pandering to boomers with ‘greatest hits’ shows.

Just a couple of ‘operational notes’ before getting into the review:
  • there are two bonus tracks on the Japanese edition - the first, “One Minute (Sixty Seconds)”, is presumably a studio track and the second is a live version of 1998’s “Between Two Worlds”,
  • long time bassist Trevor Boulder (who joined Uriah Heep in 1976) died last year from cancer and this new disc was recorded with his replacement, Dave Rimmer.
When reviewing Into the Wild, I had noted that, musically, the heavy use of a Hammond organ and Bernie Shaw’s Ian Gillian-like vocals make for an immediate comparison to Deep Purple’s comeback albums in the 80’s/90’s. While this comparison is still mostly valid, where it falls away is that founding member Mick Box delivers some solid guitar work without ever crossing into the realm of ‘guitar hero’ histrionics and all the songs have a “full band” sound rather than lingering too long on any of the members’ individual efforts.



This first single/video from the album, “One Minute”, is a solid indication for what the rest of the disc sounds like. The first minute of this song is the slowest the band gets as all of the eleven tracks range from mid-tempo to b*lls-out rockers. Within each of the songs, there is a healthy sense of melody but there is little of the pop commercialism that crept into the metal scene in the mid-80’s.



The first two songs on the disc (“Speed of Sound” and “One Minute”) will suck the listener in but the gloves come off for the two songs that follow: “The Law” and “Outsider”, as both of these songs are driving, hard-rock numbers. “The Law” starts with a repeating groove riff from Box and a galloping beat. This number shows the band at their peak as there are a number of tempo changes throughout the song where the band brings the pace down and the vocal harmonies up just to pick up speed again and pile-drive through the next part of the song.

Some of the other strong numbers on the disc are “Is Anybody Gonna Help Me?” and “Kiss the Rainbow”. On “Is Anybody Gonna Help Me?”, the band slows down the pace and highlights melancholy shimmering organ from Phil Lanzon (which has some shades of Argent) along with a stomping chorus. Similar to “The Law”, the band slows down the tempo of this song mid-way before bringing it back up again with a full head of steam. On the track “Kiss the Rainbow”, all of the band’s individual parts come together to form a memorable hard-rocker. The band doesn’t go quietly as disc ends, musically, where it started. “Say Goodbye” is a mid-tempo melodic hard-rocker that is in the same spirit as the two tracks that opened the disc.

Links:
Uriah Heep