Friday, October 31, 2014
"Alone in North America" premiered earlier this month at the CBGB Music and Film Festival and this short film gives a 'you were there' perspective of life on the road which is combined with concert footage from various tour stops. Director David Hilbert does an excellent job of capturing the desolate, wide-open spaces of (presumably) middle-America along with footage of the band members interacting in what seems to be a very small touring van as the band drives from gig to gig. The 'road picture' footage is intermixed with some killer live performance, which include the previously unreleased song, "Corruption".
It is somewhat amusing that The Morning After Girls' bassist EJ Hagan had the following to say about the film: "I was like, 'You made a movie?'...I thought maybe it would be something on a website or something people could view on YouTube. I didn't expect the festival."
One of the pull quotes for the movie stated "To trust someone is to allow them to be everything they are" and the viewer can quickly see the friendship the band members have formed being out on the road together. The "...departures, arrivals and deportations" occurred more recently as half the band is back in Australia due to visa issues but the members are currently working on their next disc.
For anyone who isn't familiar with The Morning After Girls' sound, vocalist Sacha Lucashenko clearly summed up his views on the band's sound in a 2012 interview with The Big Takeover:
The Big Takeover: Do you get tired of comparisons to typical psych bands such as Spaceman 3 or Brian Jonestown Massacre, or are you used to it? I myself hear bits of Oasis, The Verve, and Engineers in your vocals, especially in the dynamics of quiet and loud across the record. Can you expound a bit on this?
Sacha: Those psych comparisons are really boring for us – especially when regarding Alone. It almost guarantees the journalist or whoever concerned hasn’t even listened to it. You’re right, I’d draw more comparisons to the ones you’ve mentioned. Also modern classical composers like Arvo Part and Gyorgi Ligeti were major influences. Plus the rock records that were coming out by New Order, Interpol, and Oasis in the early 2000’s. That was a great period for consistent albums coming out from bands. I just think we sound a lot like The Morning After Girls.
The Morning After Girls
Tuesday, October 21, 2014
The Grayces (Nashville Grunge/Pysch) Guest Editorial on Touring / CMJ Shows at Bowery Electric on Oct. 21st / Day Show at Spike Hill on Oct. 24th
Lets see...what can I say about traveling on the road as a musician? Always be prepared for just about anything. Take time to research and learn about the places you are going. Never assume you know about a place or its people based solely on what somebody else has told you. Don't get discouraged if something doesn't go to plan or something goes wrong. Fall in love with the process.
As musician folk, we can fall into a mundane pattern of show-to-show city-to-city tunnel vision when touring on the road. I commend the focus based around the main point of putting on a killer show but I do believe there is a lot to gain between the dots. For instance, taking some time to find out what a town has to offer, besides just the venue you are playing at can be quite rewarding for all involved. While we were touring through St. Louis we had researched and decided to visit The City Museum. Best idea ever! This place was literally an interactive art piece designed to be a playground for all ages. I hadn't felt that free since I was 7 years old. There was a point I was clapping my hands smiling and screaming weeeeeeeeeee as I slid down a couple story-twisting slide in the midst of a beautiful sculpture. This shared experience brought us closer together as a band and made for a killer show later that night. If we didn't take the time to understand the city we were in, we would have never found this place. I recommend it to all.
We had never played in Detroit until we scheduled a show as a stop for this tour. I heard so many stories and opinions about Detroit prior to our arrival. Stories of deluged danger. Let me tell you, don’t take to heart everything you hear. The people of Detroit were some of the most enjoyable, kind, generous and easygoing folk we’ve met on this tour. All those stories we heard turned out to be 100% not applicable. I am so glad we didn’t listen to outside opinions and stuck to our gut, which was telling us “Go…go to Detroit.” It made for a wonderful memory with wonderful people.
Sometimes things do not go to plan when you’re on the road but don’t freak out. Our show scheduled in inner city Chicago was a wash. Let’s just say it wasn’t worth the efforts we put into it and leave it at that. Discouraged by the evening, we drove back to where we were staying in the burbs. When we arrived back to our place of rest for the evening, our friends 2 smiling faces greeted us with some good news not knowing the horrible night we had. They had sent out to a local record shop to see if we could play an in-store while we were in town, they had accepted and it was all set up. This off the cuff show was a great success! We met many wonderful people and now have the proper connections to have successful shows in and outside the city next time we come through. The road has many hidden gems if your open to the flow of what it throws at you.
In conclusion, what I am trying to say, is the more you open yourself up to the diverse possibilities of the road the larger your chance of developing the ability of widened perspective. This will aid in the successful capturing of once elusive beauties and new points of view. If you take time to notice life as you are living it, you will always have more than you started with. I believe, as a musician, it is important to gain these experiences, as it is essential for creating music that gives back to your audience with the honesty of true experience. Taking the good with the bad, learning and never letting it defeat your forward motion of predestination - that is life on the road.
-Thoughts on the road brought to you by Iz Stone of The Grayces somewhere between Pennsylvania and New York City-
Brainstorm’s core sound falls solidly into the power metal genre but the band extends this sound to include elements of NWOBHM with the down-tuned dual lead guitars of Torsten Ihlenfeld and Milan Loncaric, light orchestral elements along with a little bit of prog, which includes clean, technical guitar solos. Adding to this, Andy B. Franck’s raspy but melodic vocals are directly comparable to artists like Rob Halford or Bruce Dickenson though Franck never goes for the high-end scream.
The disc starts with “Erased By the Dark”, which is an old-school power metal number that is powered by some breakneck drumming and the band just picks up the pace from here. The title track, “Firesoul”, is the next cut and this track is a bit more aggressive. This number focuses around driving guitar riffs and dual NWOBHM guitar leads and the vocals match this intensity.
One of the many standout numbers is “Entering Solitude”, which is a slower number than the disc openers. This track has a ‘classic rock’/AOR feel centered around clean melodic guitar lines, soaring vocals on the chorus and a melodic guitar solo toward the back-half of the song. This number is followed by “Recall The Real”, which really changes up the pace with its Gregorian choral intro and outro. After this ethereal opening, this slow burning number kicks into high-gear with staccato guitar riffs which are accompanied by soaring vocals and meaty, melodic choruses.
Looking at some of the other tracks, “Feed Me Lies” is a return to the aggressive and driving sounds of the disc’s opener and this track is the one that stuck with me after a few spins of the disc. “The Chosen” is the closest that Brainstorm comes to ‘traditional’ power metal as the keys are higher in the mix for this number and the riffs are downplayed in favor of orchestral flourishes. The soaring choruses are a notable standout along with the very clean guitar lines, which include a technical power-prog solo. The disc wraps up with “…And I Wonder”, which is another AOR rocker and the minimal instrumentation allows this number to be powered by Franck’s vocals.
Sunday, October 19, 2014
At the Gates Release 'Death and the Labyrinth' Video from Forthcoming Release 'At War With Reality' (Century Media)
At War With Reality is available in the following versions:
- Jewelcase CD (20 page booklet)
- Digipak CD (20 page booklet; 2 bonus tracks; patch)
- Cassette (limited to 500 copies worldwide)
- Digital download
- Gatefold 180gr. LP (20 page booklet; poster)
- Ltd. mediabook CD (40 page booklet; 2 bonus tracks; patch)
- Ltd. 3-disc artbook (48 page booklet; 4 bonus tracks; 5.1 surround mix DVD; patch) - limited to 3000 copies
- Ltd. 2x10" boxset (20 page booklet; poster) - limited to 1000 copies worldwide via CM Distro
The limited edition mediabook and digipak format will include the bonus tracks "Language Of The Dead" and "The Skin Of A Fire", as well as a vintage ATG-logo patch. The 3-disc artbook format will also include the patch and those same two bonus tracks, as well as a demo version of "Eater Of Gods" and a cover version of "Re-Animation" by Canadian cult thrash metallers Sacrifice. The 3rd disc is an exclusive bonus DVD featuring a special 5.1 surround mix of the album.
The 12" LP format will be available in the following colored vinyl editions:
- Black (unlimited)
- Transparent red (limited to 300 copies via CM Webshop EU)
- Dark green (limited to 500 copies via CM Distro EU)
- Clear (limited to 500 copies in Sweden)
- Lilac marble (limited to 100 copies via CM Distro USA) *sold out*
- Blue marble (limited to 200 copies via CM Distro USA) *sold out*
- Magenta marble (limited to 200 copies via CM Distro USA) *sold out*
- Ash grey marble (limited to 500 copies via CM Distro USA)
- Silver (limited to 400 copies in the USA)
- Gold (limited to 1500 copies in the USA)
- White (limited to 100 copies; exclusive 2015 MDF edition in the USA)
In advance of the release, At The Gates has now debuted a video for the album track "Death And The Labyrinth" which was directed by Patric Ullaeus (IN FLAMES, ARCH ENEMY, LACUNA COIL, etc.).
Tomas Lindberg (vocals) comments: "We had a very special idea about the kind of approach we wanted for the first video from 'At War With Reality'. What we needed was someone gifted enough to throw himself artistically into the project full on. The lyrics to the song are very multi-layered and surreal, so we wanted someone to create a fevered dreamworld that went with the melancholic frustration and dramatic desperation that we feel comes across in the song. This is exactly what Patric has created for us. It's his vision of the music and lyrics, which compliments the track perfectly in my opinion. I couldn't be happier!"
Director Patric Ullaeus adds: "It's always nice to work with creative artists who are like-minded. Ideas seem to flow easily. We had a lot of fun making our vision come true. Being on these amazing locations in Antelope Canyon, Arizona was truly an unforgettable experience."
At The Gates
Saturday, October 18, 2014
Following a two and a half week long UK tour, Vek will land stateside next week for a run shows in New York and Los Angeles. He will perform at Baby’s All Right in Brooklyn, NY on October 20th; at Mercury Lounge in Manhattan on October 21st; and at The Echo in Los Angeles on October 23rd. A current itinerary is below.
Drawing on the modern anxiety of finding your place in a world saturated by information, Luck plunges the personal to deliver tracks that are sincere, angry and poignant. As ever, Vek delivers an album that eludes straightforward definition. As he puts it, the ‘garage rock for the pro-tools generation’ is alive and well, only now it is met with the grandest production and some of the biggest beats of his career. ‘There’s noise everywhere,’ Vek tells us, but with enough force we might return to a place of truth. Luck is the magnificent offering from an artist who has achieved the rare feat of preserving the seduction of youthful rebellion and marrying it with experience. It’s big, angry and impossible to ignore.
Over the course of his decade-long career, Vek has forged a reputation as one of London’s most enigmatic and exciting musicians. Breaking on to the scene with the attitude-spiked We Have Sound (2005), he channeled his homegrown musical prowess into a bastion of mid-90s electronic punk rock rebellion. His long awaited follow-up, Leisure Seizure (2011), was less raw but no less impactful.
Tom Vek Tour Dates:
SEPT. 1 -- DERBYSHIRE, UK -- Y NOT FESTIVAL
SEPT. 5-7 -- PORTMEIRION, UK -- FESTIVAL NO. 6
OCT. 3 -- FALMOUTH, UK -- PRINCESS PAVILION
OCT. 4 -- OXFORD, UK -- THE ART BAR
OCT. 6 -- SOUTHSEA, UK -- WEDGEWOOD ROOMS
OCT. 7 -- BRIGHTON, UK -- THE HAUNT
OCT. 8 -- MANCHESTER, UK -- MANCHESTER GORILLA
OCT. 9 -- GLASGOW, UK -- KING TUT’S WAH WAH HUT
OCT. 11 -- LEEDS, UK -- THE COCKPIT
OCT. 12 -- LIVERPOOL, UK -- THE KAZIMIER
OCT. 14 -- NOTTINGHAM, UK -- THE BODEGA SOCIAL CLUB
OCT. 15 -- LONDON, UK -- KOKO
OCT. 20 -- BROOKLYN, NY -- BABY’S ALL RIGHT
OCT. 21 -- NEW YORK, NY -- MERCURY LOUNGE
OCT. 23 -- LOS ANGELES, CA -- THE ECHO
NOV. 4 -- TOKYO, JA -- TSUTAYA O-NEST
(Note: This single was released last year and is not on the full-length album)
The band’s core sound can be heard in the riff-heavy power metal of “A Tower So Tall” “To Heal All Wounds” and “Lost”, all three of which highlight the band’s heavier side with aggressive, chugging guitar work and shredding solos. Heliosaga isn’t afraid to stray from their core as, musically, the band touches on a variety of styles across this disc. One of the highlights is the epic ‘Iron Maiden like’ rocker “All Souls”, where this 9+ minute song brings in significant proggy elements and tempo changes that will hold the listener captivated. Other styles range from the mid-tempo symphonic prog rock of “Edenscar” to the slow burning ethereal exorcisms of “Hideaway”. There are also a number of hard rock stops in between these points where Villareal’s riffs border on thrash.
While the vocals are upfront on all of the tracks, Knaack’s hypnotic vocals complement the instrumentation and never attempt to overpower it. Her vocals are the highlight of tracks like “Hideaway”, which adds angelic backing vocals that rise to the level of harmonies, and “Hunter’s Moon”, which is a hard rock number where the guitars are dialed back to allow the vocals to shine.
Heliosaga has posted on their website that they are looking for a bassist and guitar player so it seems unlikely that there will be any live dates anytime soon but this will be something to watch for in the future.
Thursday, October 16, 2014
The band is back in town for shows at Bar Matchless on Friday, 10/17 and Trash Bar (as part of CMJ), on Thursday, 10/23.
Fall Tour Dates:
10.13 - Wilmington, DE · Oddity Bar
10.14 - Philadelphia, PA · Johnny Brenda's
10.15 - Boston, MA · O'Brien's
10.16 - Hamden, CT · The Space
10.17 - Brooklyn, NY · Bar Matchless (Headling - 11PM, Cover is $8)
10.18 - Spring City, PA · Chaplin's
10.19 - Asbury Park, NJ · The Saint
10.21 - Montreal, CA · L'Esco
10.23 - Brooklyn, NY · Trash Bar (CMJ) (Playing at 11PM with Tuscon garage-punk act Prom Body closing out the night with a set starting at 11:45PM; Cover is $7)
10.25 - York, PA · The Depot
10.26 - Pittsburgh, PA · Howler's
10.27 - Cincinnati, OH · MOTR
10.29 - Nashville, TN · Springwater Super Club
10.30 - Paducah, KY · Maiden Alley Cinema
10.31 - Louisville, KY · Haymarket Whiskey Bar
11.01 - St. Louis, MO · Cicero's
11.02 - Wichita, KS · John Barleycorn's
11.03 - Oklahoma City, OK · Conservatory
11.04 - Houston, TX · Mango's
11.05 - Austin, TX · Holy Mountain
11.07 - New Orleans, LA · Beat Nik
11.08 - Birmingham, AL · Trim Tab Brewery
11.10 - Bloomington, IN · The Back Door
11.11 - Chicago, IL · Elbo Room
11.13 - Toronto, CA · The Silver Dollar
Exodus and Slayer Play The Wellmont Theater in Mont Clair, NJ on 11/29 / Hatriot - 'Dawn of the New Centurion' CD Review (Massacre Records)
What many people may not know is that Zetro is pulling double-duty as he is also the vocalist of Hatriot, a Bay-area thrash band which includes Zetro’s two sons in the lineup. Earlier this year, Hatriot released its sophomore disc, Dawn of the New Centurion, on Massacre Records.
This disc is exactly what you would expect from Zetro and crew – nine tracks (50 minutes) of hard-hitting, heavy thrash. This disc starts off with "From My Cold Dead Hands" which opens with Charleton Heston’s speech to the NRA and follows this with a slow build that will get a crowd into the pit waiting for the explosion. Hatriot doesn’t disappoint as the thrash kicks in with Zetro’s sneering, spat vocals, cross-over guitar riffs that straddle the border between speed metal and thrash and a gang vocal chorus. Across this disc, the music is punctuated by surprisingly clean production which emphasizes Hatriot’s sonic attack and, lyrically, Hatriot are pissed off about the state of the world, the hypocrisy of organized religion (check out the scathing 7+ minute “Silence in the House of the Lord”), etc. and aren’t afraid to call out the abuses that they see. The band even calls to free Pussy Riot at the end of “Superkillafragsadisticactsaresoatrocious”.
The band doesn’t stray far from their crossover thrash core, but Dawn of the New Centurion contains some complex variations on this core. “The Fear Within”, which is 7+ minutes long, is a hard rock/power metal number with a bit of doom metal thrown into the mix. This track starts with a slow burning opening and features clean, melodic guitar lines. This song then brings on gang vocals in an almost call-and-response counterpoint to Zetro’s vocals, slows radically toward the end for an introspective moment before picking back up for a boot stomping finish. “World Funeral” is a schizophrenic metal number with an aggressive gang vocal opening and some shredding riffs.
Monday, September 29, 2014
EULA (Post-Punk) Plays Glasslands Gallery Tomorrow Night Along with Members of Deerhoof, Speedy Ortiz and Titus Andronicus (Castle of Spices)
This show is being presented by Famous Swords, which is an artist collective run by Lamb. In a recent Village Voice article, Lamb describes the collective as: "a huge production collective...we want to do music videos, recordings, t-shirts, kind of an all-encompassing art collective, that's kind of our vision behind it." EULA's latest video "Orderly" was produced by the collective and Lamb said "[w]e wanted to use sort of trippy psychedelic images that had a very feminine edge to them, but also [have it be] very sharp and angular to go with the sounds of the song."
Tickets for tomorrow night's show are $10 and doors are at 8PM.
Sunday, September 28, 2014
'Alone in North America' (featuring The Morning After Girls) Premiers at the CBGB's Music and Film Festival on Oct. 9th
Hypnagogia Films has announced the world premiere of "alone in north america" during the forthcoming CBGB’s Music and Film Festival. The documentary is a collaborative effort between award-winning Director, David Hilbert (Ikland) and neo-psychedelic outfit, the morning after girls. Part narrative, part existential road picture, the film follows the U.S. tour of the band in support of their 2011 LP (which is titled Alone).
In the words of Hypnagogia Films: the morning after girls survived break-ups, break-downs, departures, arrivals and deportations. When the smoke cleared, they toured North America - playing music to gather people together. The ensuing miles would be their greatest test. As individuals and as a band, they found themselves on the wrong side of the law, the wrong side of the clock, and the wrong side of the wheel..
In addition to live performance footage taken across the country, the documentary features a previously unreleased song entitled “Corruption.” The official premiere of Alone will commence on Oct 9th at the Anthology Film Archives and advance tickets are $10. Tickets can be purchased here: http://www.cbgbfest.com/aloneinnorthamerica
About the band: the morning after girls was formed in Melbourne, Australia by Sacha Lucashenko (vocals and guitar) and Martin B. Sleeman (vocals and guitar). In 2008, the band relocated to New York City and added Americans Alexander White (keyboards, percussion, backing vocals), EJ Hagen (bass guitar), and Anthony Johnson (drums). As a band, the morning after girls have played shows worldwide with such notables as Black Rebel Motorcycle Club, Mercury Rev, and many others.
Upon its release in 2011, Alone, the bands second full-length album received album of the year honors from such press outlets as the San Francisco Chronicle, The Big Takeover, Detroit Metro Times and Popshifter Magazine.
About the filmmaker: David Hilbert is a New York based writer and filmmaker. He is the director and editor of the award-winning film Ikland, which documents the rediscovery of the lost Ik tribe, who were famously disparaged as the worst people in the world. The film was honored as the Best Documentary of the Boston International Film Festival and has been critically praised by The New York Times, Variety and Indiewire. He has lectured at Harvard University and been a guest on WNYC's Leonard Lopate Show.
the morning after girls
This album has huge melodic hooks, choruses that invite singing along and many of these songs would have been a staple of FM radio if released thirty years prior. “We set out to write good songs, the only criteria was that all of us liked them” said Nigel Bailey. While the band sounds really tight, the focal point of most of the songs are Vinny Burns’ stellar guitar work and Nigel Bailey’s ‘Lou Graham meets John Wetton’ vocals. Musically, most of the songs are in the vein of Asia, early Foreigner and the Brian Howe-fronted lineup of Bad Company along with hints of Bryan Adams and Whitesnake around the edges. With an album full of anthemic rock, as one would expect, a number of songs are about girls.
The disc starts out with “Trouble in a Red Dress” (the first single from the disc) which is a melodic AOR rocker with solid guitar work and a bit grittier sound that brings the 80’s AOR sound into the present. This is followed by “Hold Me Now”, which is a Bryan Adams style guitar-driven tale about girls and summer. “Twisted Soul” starts with a slower intro before the driving atmospheric rock kicks in. The song sounds like a Foreigner number with a bit more punch in the guitar. “Winter Sun” is an old-school rock ballad which is powered by a big guitar sounds and upfront melodic vocals. Picking up the pace with “Just a Man” and “Holy Water”, either of these numbers could easily become the second single from the disc. Both of these numbers are mid-tempo rockers with the hooks that stick with you long after the song has ended.
One of the most diverse numbers on the disc is the eastern-influence “Kathmandu”. The band seems to take a page from 90’s metal with some slashing guitar lines while never losing its sense of melody. The other number that shows the band willing to take some risks is “Sicilian Kiss”, the final track on the disc, which is a moody, guitar-driven instrumental with strong leads and a slight hint of flamingo on the outro.